aboutface is firstly a composer/live performer and secondly a dj, hailing from east london he steps up for the next release on amirali’s newly founded imprint dark matters. drawing upon both the sociological and environmental landscape as creative inspiration, aboutface uses his background in fine art and painting to help inform his productions. all the last three years music has been inspired by a thousand mile plus journey through eastern europe and around the coastal regions of the uk, each song using the environmental recordings of a different region or city as the creative starting point.

bass cultures latest release comes straight from the studio of the label head, d julz. a man who draws on dub influences, groove and deep soul-enriching rhythms, d julz is a member of the paris old school fraternity and brings that classic sound right into the 21st century with his houdini ep.across three tracks we have a selection of music that epitomises what he’ all about. the title track gets things rolling with a sultry groove pervading throughout, crunchy claps add depth while fizzing synth lines and throwback yelps give it plenty of character. second track * waiting 4 visa* is a classy breakbeat-led outing, delicate effects loom in the background entrancing the listener while the minimal composition keeps things simple and hypnotic. lastly * serendipity* takes us a few layers deeper, with a laid-back bounce and chirpy bleeps really bringing it to life. d julz shows us once again why he is one of the mainstays of the paris, a godfather who does everything with a touch of class.

the first vinyl release on abandoned audio, the new sub-label from 31337 records, ezekiel honig‘s ‘a film of string & wood‘ continues his form of refracted, geographically oriented, electroacoustics. sitting in a background of field recordings and incidental real-world objects, textured piano and horns act as cement for chunky, yet subdued rhythms that fall over themselves and snap back into place. warm, looming tonal progressions remain incredibly intimate and focused while retaining an expansiveness of space, a perfect metaphor for honig’s music on the whole – personal and specific while intersecting with something more universal. throughout its five tracks, ‘a film of string & wood‘ stretches and pulls its melodies, weaving them through each blocky snare, each bassy kick drum phrase, with a heart and mind that hearkens to a different time, memory-tinged with a nostalgia for a moment that is yet to pass. pressed on sturdy 180 gram vinyl and featuring artwork/design by ezekiel honig.

allez! here we go with the next release from terence :terry:’s highly-respected la vie en rose label. so far this year lvr has brought the heat with terence’s solo ep ‘acid heroes’ and the superb mix compilation ‘house couture’, which has received widespread praise. now, we have this brand new ep from a true paris legend, and an inspiration to terence himself – the one and only, jerome pacman. rising up in the early 90s, jerome established himself through the paris underground, and has remained one of the city’s finest selectors and producers. this four-track ep includes a remix from romanian godfathers livio & roby and represents jerome’s ability to throw down fresh, classic house rhythms with a modern twist. kicking off with ‘merry-go-round’, a bass-heavy rumbler imbued with subtle house tropes, we move into ‘jp sunlight’, a bubbling groover with twinkly, dream-like effects and a bassline that will lock in from the get go. on the flip we have ‘mpa’, a simple yet effective roller that will grip you with its repetitive groove and delicate use of detail in the background. livio & roby step up for the remix of ‘mpa’, which focuses on a more unusual, organic sound ethic – typical of the romanian sound that is so widely loved. a rework that is delivered with panache,

with releases on established labels like force inc., cytrax, lo-fi stereo, morris / audio, delay or background, he made his way with his tricky electronic sound. he started his own label, edit that embraces the concepts of reuse and redefinition. components are generated, arranged and fine-tuned. they are stripped apart, processed and rearranged. sophisticated editing techniques enable this process to continue without end. the resulting audio productions become remixes of themselves.

limited pressing !! pure warmth and a deephouse beauty by east german arrangement perfectionist jan ketel. including a not-from-this-world version by rose records luvless and a collaboration with his mate siggatunez, jan ketels girliewood ep leads you to the warmer days and brings heat to the floor.

releasing not very often, understand has always kept things in the dark about what is going to happen next. the wait is over and the fifth instalment of the series is named ebandogue and features 3 tracks from dubtil, one of today s best producers in the bucharest underground. ruling side a is opus ebant, an epic masterpiece, driven by a groovy bassline and subtle male choirs. this heavenly atmosphere goes from trippy to driving back and forth making it perfect for a peaktime moment that won’t be forgotten. may also be used in some worship places. debandada and epilogue share side b and besides the producer himself that is almost everything they share. debandada is kind of dark and experimental but full of energy in the same time with weird whispers and evolving hats keeping everything on the move. epilogue has a more positive approach, the general uplifing feeling is spiked ocasionally with a techno resonator and some background synths, and just like that, the random delayed male vocals make it so more interesting.

seriously underground minimal house on offer here from chicagos hakim murphy under a new alias. kallabo is the kind of mysterious, candle lit deep house you d hear on a giegling record. -porta- shuffles and bleeps in a more uptempo outing where you can hear the noise of tape in the background, competing with the hiss of the 808 hats to stunning effect. boops bring the funk in this reductionist house jam for analogue freaks. finally raw intuition stomps away with its brutal modular synth bassline run through a delay and knocking down everything in sight! highly recommended!

enduring ambient and soundtrack specialist john beltran has finished another full length album for delsin records. entitled espais, it lands in summer 2015 and features 17 beautiful tracks that range from dreamy and heavenly to more meaning and moving. emotional from start to finish, it once again finds beltran using moderns tools and techniques with classical musical values. part synthetic and machine made, part organic and natural, it is another fine opus from the michigan man.

unknot is the duo consisting of producer/dj sciahri and composer/audiohead emanuele porcinai. unknot01 is the first release on the duos self-titled label. the music is derived from recordings of jam sessions taken on a semi-modular set-up and later contextualized, through arrangement, within a dancefloor-oriented framework.
the core of unknots sound is strictly bound both to sciahris solid techno background and to the mutable character of emanuele’s electroacoustic productions. the dialogue between such distant practices and approaches, brought to an extremely restrained setup, is what defines unknots musical identity.
unknot01 is a stark, angular swarm of sounds, shaped within very structured yet experimental arrangements. each track delivers propulsive, cryptic and poignant melodies disguised in the harsh and outright aggressive rhythmical patterns.

lukas simmer is a prestigious name on the underground house/techno scene, making his debut here on wrong state recordings with a strong four track ep that marks him out as one to watch. with a background as a sound technician and musician, he has a solid grounding in the world of composing and producing music - which is clear to hear in this debut.

(justin k broadrick as jk flesh reshape / black rain rmx) rmxs for ands cosmic microwave background, that caught the attention for its raw brutality as well as its grainy sci-fi background concept.

everyones expression is unique, interesting and a collaborated product of lifes experiences, so is the music, the art and the vision. we carry this essence in everything that is techfui. our label brings family, friends and fresh talents together, and is built on a strong relationship around the people and their talents. we stay true to our roots, traditions and culture, always forward thinking and cutting edge.
during the development of the label direction and ideology evolving from the existing brand, we carefully picked our first few family members. the artists were picked to fit the ideology in both musical and personal character.
pawas is someone we have admired for a while for his work ethic and talent. his multicultural background was a nice mix into the equation as we push to bring together and collaborate with artists from various regions and influences.

tension has the goal to reach the maximum level of sonic enlightenment of the sound. the most important thing of all is the sound, not the words, not the background, and nor even the people. tension is the former project of one single man named emmanuel. (100101 / start of heading).

jef ks silver network springs a surprise on the label s followers with a slightly darker offering than fans may be used to. part of jef s ethos is to shake things every once in a while to avoid becoming stale, so he decided to sign this super fresh cut from ludovic vendi and olive_r. nosh is a fidgety, morose production with unsettling beats and the constant mutter of voices lurking in the background.

jef k s silver network springs a surprise on the labels followers with a slightly darker offering than fans may be used to. part of jef s ethos is to shake things every once in a while to avoid becoming stale, so he decided to sign this super fresh cut from ludovic vendi and olive_r. nosh is a fidgety, morose production with unsettling beats and the constant mutter of voices lurking in the background.

released by pizzico for the first time in 2009 with the moniker -erre-, marco antonio spaventi was one of the most pleasant surprises about what an excellent techno producer can do with his beloved background: italo disco. influenced by soundtrack masters as vangelis, john carpenter and most of all italian maestro s like nico fidenco, pino donaggio, francesco de masi, and appearing in the sky like a laser beam in a post-atomic bronx filmed by enzo g. castellari, the positive first album of ma spaventi called -viaggi- is landing. a real journey into obscure worlds, dirty streets, atomic sunsets, broken hearts and analog feelings, a blessing for your most romantic and cinematic essence. could this folding full length fit the modern dance floors? maybe it could be better for the outcast clubs of a near future: synths atmosphere are sweet and pressing at the same time, the melodies and beats fit together in a succession of deep emotions, the -tape- sounds old school and totally irresistible. pizzico is proud to present ma spaventi s viaggi: nine exclusive tracks for a brand new album, invoking and evoking dusty italo vibes, analog synths and written soundtracks for unwritten movies.

(zeitgeber / sleeparchive / o/h rmxs) rmxs for ands cosmic microwave background, that caught the attention for its raw brutality as well as its grainy sci-fi background concept.

continuing to push that deep, raw house sound chris carrier s adult only label presents a brand new ep from slapfunk affiliate and all round funkateer, larry de kat. larry keeps the grooves rolling in his native holland, where he has close ties with the much respected slapfunk records, along with good friend anil aras. his back catalogue includes another french connection, with the young masters at lazare hoche records. this time he links up with prolific producer chris carrier to give adult only a taste of his funky medicine.
on side a we have ‘diks on gruds’, a gruff dance floor banger with a deadly bassline and ultra crisp hats, which inject a solid energy from start to finish. on the flip another french hero, phil weeks, add his stomping chicago flavour into the mix reworking the track with panache. a is ‘noodlez’, a quirky joint composed of odd sounds wriggling and whirring above a slinky bassline counterposed with choppy percussion. finally, the ep closes out with ‘um?’, a sombre affair which pumps and purrs with minimal composition – subtle effects in the arrangement bounce around the beats, while a mysterious voice creeps in and out of the background. sublime ...

paint en pointe is a compilation of selected compositions by eugene ward, otherwise known to most as dro carey / tuff sherm. the tracks have been taken from a series of performance collaborations with choreographer patric kuo over a 5 month period. the performances, which occurred monthly in the latter half of 2014, took place in spot81 gallery in chippendale, sydney. kuo and ward, along with a roster of dancers, were invited to create new dance works that responded to the exhibition occurring during the given month. throughout the series many ensemble types were explored, ranging from solos up to large groups of as many as 16 dancers. patric kuo is a sydney based dancer/choreographer originally trained in all styles, but presently heavily draws his influence from hip hop and contemporary dance. coming from a performing arts and commercial dance background, kuo has expanded his ideas about communicating to an audience, moving away from the traditional entertainment relationship towards an approach that includes engagement more informed by performance art

after a very techno first release, unanim returns with another approach of the genre. it is herodot who delivers two very different tracks for his duo ep.
silent record rules the first side of this vinyl and its a monster. the rolling bassline and the powerful percussion are backed by tripping background noises. you cand also hear french experimentalist duo radiomentalle and david toops distorted voice. this one is definitely not silent and 100% destined for the dancefloor.
on a more subtle note side b features tul which is not as * loud* and a bit tool-ish. lurking sounds populate the background and the shakers provide a percussive feeling throughout the track. techno hasnt left the building !

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

taking a few steps off it’s usual housy path, metereze presents a fresh new face and a more techno approach to dance music. it is melodie that signs the 4th installment and he is taking it deep into the realms of acid with 3 tracks that not only go well together but they are all meant to make you move in a big way.
acid sunday is as acidic as the name suggests it but in the end it’s the most poetic of the 3. the subtle pads are kinda dreamy but the 303 sounds make it super driving. on the same side we have rhythmico which is dark, percussive and powerful. subtle background bleeps complete the wandering synth that comes and goes but never really seems to go away.
housed on side b justa is a techno monster in its own right. sonically very close to the other two, this is by far the darkest track on this ep. and probably the strongest. techno infused house you may call it or whatever, this is the kind of track that puts you on a serious move whenever, wherever.

having made a brief appearance on omnidisc alongside danny daze on the four ep, drvg cvltvre steps into the spotlight for a full solo release. a prolific producer from an underground punk diy background, vincent koreman aka drvg cvltvre was previously known for his experimental techno releases as ra- x in the 90s, on labels such as bunker and kk records. stepping up to the new omnidisc imprint, he delivers an ep packed with uniquely gritty, yet melodic techno weapons. as an extra treat to those who purchase the vinyl copy of the ep, a secret download link to two more tracks will be provided.

u2xproductions of detroit presents descendant by niko marks. phenomenal music containing all the elements of a great dance record with a remix of this one, originally recorded and written by herschel boone (background singer for kid rock) and lavelle more. this amazing ep also features spacebabies mixture one first released on -through time and culture- (lp) and saturday which debuted on the disclosure (lp) by niko marks.

this one is a taste of things to come from the clekclekboom camp, a ready to use various cuts ep made by deejays for deejays. the label say -a solid piece of wax with different weapons including already known ccb producers and extended family. for this first volume, french fries teams up with nsdos on a hypnotic jam, bringing chicago s percussive legacy in a 90 s nyc ballroom. then we got aleqs notal going deep with a new batch of his lunar material where tripping synths meet spaced out hi-hats. on the flip jean nipon provides his drummer background to display some infectious rhythms colliding with a shuffling syncopated bass, while barbara ford takes us through a heavy mesmerizing acid jam tunnel… overall a deep and yet club-material experience representing perfectly what clekclekboom has to offer today.-

bouq.sub is back again and happy about the discovery of great german newcomers unnamebar. with their self proclaimed tech-nu-prog style the duo obviously benefits from their background as trained jazz musician as well as djs. unnamebar means nothing else than -biological produced music from guaranteed unconventional seeding.

abstract cuts is the first ep of a series produced by the french dj & producer tomska. for this new project, tomska explores raw and abstract sounds. dirty kicks and phat basslines with dark synths on the a side, and a deep experimental track with a nice drum kick on the flip side. since his debut on vibes and pepper records, tomska has been gaining steady growing attention by underground house music lovers and dj s.

ltd warehouse found - slamming classic vocal house tune back from 1991, produced by chicagos legend steve silk hurley !! incl remixes by e-smooves, maurice joshua, steve silk hurley himself... incl background vocals by r&b star kym sims

side a contents two masterpieces of nu soul remixes produced by abicah soul project and vocals featured by harold brandon. yotam avni presents the first piece (sign it away) which he is mostly known for his soulful background. side b is represented by the two label fellow of deepartsounds ernie and jenifa mayanja with two magnificent deep house tracks. check!

vanguard sound follows up on guerilla soul’s self-titled ep with label co-head chris mitchell delivering feng shui flow. feng shui flow is an exploration into deep harmonic textures in the form of three distinct offerings. a1 primordial gravitational waves- as the name suggests, inspired by the possible discovery of gravitational waves believed to be reverberations of the big bang. staccato bass and drums provide the heavy background for a pulsing bass wave, accented by synths and chords conjuring up visions of interplanetary manifestation. b1 eurínome- melancholic and intensely emotive chords and bass layered with intricate drums to paint this impression of the mysterious water goddess. b2 4th density- a synth heavy offering with several layers of bass, string like patches, and a sprinkling of choral sounds driven by a pair of kick drums into a plane of telepathy, harmony and ascension.

nice price deal !!! a journey where techno enters a land of shadows and rarefactions, escaping images, dark suggestions. where gravity becomes a relative concept, uncertain, and where cinematic refractions count as much as the dance floor rules, in a continuous encounter. it is time to get involved. after plenty non trivial satisfactions, at the end of 2013 comes the time for federico to higher the stakes. he leaves the clockwork project for a solitary one. the richness of past experiences, the years in new york (and in musical and retinal education). a musical background that goes from the sharp and geometrical hip-hop of gang starr to the spirituality of basic channels techno dub, passing through the visionaries of radiohead and to the complex lightness of matthew herbert. now, all this brings the will to give life to a new sinuous, fascinating and profound creature. millennium ep 2014. five tracks that create space, that map an itinerary, that breathe deeply.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

unfinished business is the latest step for luke solomon, a mix album for his kaleidoscopic talents that gives him the chance to highlight what is still the bedrock of his extraordinary career: being behind the turntables and digging out those records you really should be listening to but might have missed in the avalanche of background noise. this handpicked four track sampler highlights some of the exclusive vinyl only releases from the forthcoming compilation.

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

having blown the doors off with their r&s debut *containing a thousand*, lakker return with a devastating new single that concentrates and coalesces their sound to unprecedented new heights. their intricate, yet muscular soundscapes and skittering percussion have an epic, alien quality that set them head and shoulders above their less ambitious peers. having a background in punk, metal and broken beat as well as noise and techno helps give lakker their truly unique and uncompromising sound. currently touring their blistering live /av set across the planet and hard at work on their debut lp for r&s you will be hearing a lot more from lakker very soon.

o.v. wrights album -into something- wurde von hi-records qualitativ so hoch eingeschätzt, dass man den künstler mit den besten voraussetzungen für die aufnahmen ausstattete: memphis horns and strings bilden die backing-band, ein gewisser james brown spielt piano, und die besten background-sänger aus den eigenen studios wurden verpflichtet. o.v. wright, der ja zuvor schon mit al green und ann peebles aufgenommen hatte, nutze die gunst der stunde und produzierte dieses kleine soul-juwel und überzeugt zudem mit seinem einzigartigen gesang.

crux is a refined contemporary techno album with some unexpected twists. this special very limited version of the album holds the original album including full length cd as well as the remix 12 inch as a bonus packed in the original full colour sleeve. for the collectors!

limited to 250 hand-numbered copies on transparent red coloured vinyl!
killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure

taking the well-formed and increasingly respected catch recordings to its third release is the broken labour ep from bob barker, complete with remixes from berlins ryan davis and greenville massive. with a background in contemporary art and design bob barker looks to create dance floor sounds that transcend the listener like a viewer in a gallery.

hailing from toronto is newcomer drala. with a background of trinidad and canada alike, this ep brings cool breezes to the scene while claiming a stake in this musical playground. already a staple in osunlades dj sets, datfreaky has already become a much desired floor banger. with demanding stabs, smooth and subtle deeply combine a signature sound yet to be compared. dralas theme takes us deeper into his world as syncopated bass lines dance with pulsating rhythms. spirits and smiles continues the movement with brigade like drums, airy chords & industrial tones while never losing ground. the gods made me funky take you on a heightened journey within yourself, transcending mind and soul with haunting vocals by spiritual sage astarius this has been a labor of love from seed to flower, we proudly present the latest addition to the yoruba family. welcome drala!

label boss sasha carassi showcases his constant evolution in this three-track ep and soundsphere kicks things off with unmistakeable, mutating stabs intertwined with haunting background synths. starchild picks up from there with its rubber-band bassline and streamlined electronics, and introduces what can only be described as mutant sci-fi chords. for the closer, mr. carassi has put together the aptly-titled drop of soul in which trademarked synths pave the way for nostalgic arpeggios and dissonant electronics.

harbour city 2014. sometimes people from different environmental backgrounds cross paths with one another through similar interests, and they notice that they have more in common then a certain taste in music alone. boris bunnik (aka conforce) is hailing from the small scenic dutch island terschelling, that can be seen as the complete opposite environmental background as the dirty streets of rotterdams south side that drew the first guidelines for frustrated funks watchword: mad drama from everyday life.

killekill welcomes a new duo on board. skew and satirist are not newcomers. nor are they a well-guarded techno secret. but for this initial outing they want the music to come first. both artists have a background in sonic and technological innovation and have started this project for their left-of-centre techno manoeuvres. berlin s killekill is the natural launching-pad. the ep visits idm-dipped dark techno, a track built around a malfunctioning feedback matrix and a wide-angle, subtly melodic adventure

the next outing on mora music comes from leeds based tms, delivering two well-rounded & versatile tracks. *fuck you, pay me* is the peak timer with firing, pounding kick drums and off-key stabs in the background. it builds to a crescendo of intense feedback, before suddenly dropping with the bass line you have been waiting for. *slomotion* on the b-side is the slow burner of the ep confirmed by the beautiful hook that comes in halfway through the track. rounding off the release comes a remix of slomotion from mora music favourite bobby o donnell. this hypnotic trippy little number raises the bar, taking the track to an intense dance floor high.

for our second release on wavereform, we continue our explorations into sophisticated sounds from mostly-unexplored areas with the production debut from juras lietus, a 25 year-old latvian producer from riga whose mysterious origins in this out-of-the-way locale may surprise listeners, but whose sound fits very well into the label’s mission to reform the sound sphere with simple and elegant tracks that demand attention and bring unknown talent deserved notice. lietus wastes no time in showing off his developed dub techno style on >dark frank< as the bold, well-defined contours of the bottom end are contrasted with gentler ambient textures in the opening, it acquires more force as it moves along as he adds harder percussion patterns to the framework while the dense atmospherics progress barely in the background. >direct< is the more subtle and atmospheric of the pair, as crisp, delicate drums develop slowly while also suggesting melody. it too gains strength as it goes though, with ricocheting percussion and a barely-controlled feedback wail leading into a dramatic breakdown before he slowly winds things down in the detail-rich final section. j&#363,,,,,,,ras lietus and latvian techno may be mostly unknown, but this strong showing for wavereform 002 reveals much still to be uncovered in these eastern lands.

on a mission records is the new label runned by jef k and rhythm&soul. focused on keeping alive the spirit of house music that inspires their own musical background. the first release comes with their project: the groove brothers. a classic flavoured house package that shows the label identity. the a side starts with -soul food café-. a strong 4x4 beat, house chords, some vocal hits and catchy piano melody. an everlasting groove. -everyday- is a track made to shake girls on the dancefloor. a funky bassline and a r n b vocal sample that slowly goes warmer and warmer. a summer tune that shows that both producers really like it when things goes sexy. on the b side a remix of -soul food café- by nottingham house legend, nail. a powefull remix that brings his extraordinary touch. floating chords a boundless groovy pad and a pumpy bassline that drives the original track into a timeless uk house anthem.

the first release on overdraw contains tactical, heavily armed and armoured tracks from serbian-based duo - ontal. with an imaginary background on the battlefield, the 3 original tracks and a ruthless remix from tomohiko sagae will take a part of your spirit and have all your senses alarmed.

at its very first start, the new label founded by conrad van orton proposes a vinyl of his own with two original tracks on the a side, november and captivity archives. and two great remixers such as vsk and the mysterious annuled user on the other. just as the needle starts to mark the passage, the classic four quarters give life to a beat that between one step and another compresses catapulting reality in a classic industrial scenario of mid-autumn where the clear sky gets marked by black and deep plots. a background noise accompanies the whole programming part of the drumming that gives off a relentless pace. on the a side captivity archives reconfirms the industrial nature of cvo with a look towards distant galaxies ..... with the needle still hot we turn around the record to the b side. here we find the vsk remix with a more ambient and crystal clear sound. to the original drum, vsk, choose an equally technical percussion. all home made. last but not least the contribution given by annulled user. trademark? techno! .. and there is nothing here to mess about with. 4/4 dry, hard which feel anger and rebellion desire. the kick, fairly present, is ripped apart by some demonic filters. the 5.30 min of annulled user are a reminiscence of the 90s.